"I’m not too good with words."
"Yeah… neither am I."
This is always the case.
I am a hunter in a forest of nonsense.

Sam, sometimes I wonder if there are even enough words that exist in the human language to describe our state of being. I wish I could say so many things. That I could say so much more than "I am alone.” But how else can we say it? Jack Gilbert describes it like so:
Can you understand being alone so long
you would go out in the middle of the night
and put a bucket into the well
so you could feel something down there
tug at the other end of the rope?
But I am no poet. And I’m surely not a writer. How do we say what we feel the most when we feel it? Sometimes I wish we could communicate in animal noises. Conversation reduced to the purest essence of sound.
I would roar when I was frustrated. And yelp when I was sad. I could squeak when everything got dark. And hoot when I was already there. I would quack any time I felt crazy. And hum any time my heart swelled with storybook wind. No one would ever go mute! Cause our sounds would ring like little songs in the fields and the factories.
I could howl the whole night through and know that there would always be someone, somewhere, howling back.
And every night I'd hear the sweet, sweet symphony of the hollowed---of heroines, hello's, and howls.

The Forgotten Dialect Of The Heart by Jack Gilbert
How astonishing it is that language can almost mean,
and frightening that it does not quite. Love, we say,
God, we say, Rome and Michiko, we write, and the words
get it all wrong. We say bread and it means according
to which nation. French has no word for home,
and we have no word for strict pleasure. A people
in northern India is dying out because their ancient
tongue has no words for endearment. I dream of lost
vocabularies that might express some of what
we no longer can. Maybe the Etruscan texts would
finally explain why the couples on their tombs
are smiling. And maybe not. When the thousands
of mysterious Sumerian tablets were translated,
they seemed to be business records. But what if they
are poems or psalms? My joy is the same as twelve
Ethiopian goats standing silent in the morning light.
O Lord, thou art slabs of salt and ingots of copper,
as grand as ripe barley lithe under the wind's labor.
Her breasts are six white oxen loaded with bolts
of long-fibered Egyptian cotton. My love is a hundred
pitchers of honey. Shiploads of thuya are what
my body wants to say to your body. Giraffes are this
desire in the dark. Perhaps the spiral Minoan script
is not language but a map. What we feel most has
no name but amber, archers, cinnamon, horses, and birds.




















